Write down the following
scales. Sharps and flats can be notated at the clef,
or in front of the notes.
D major (violin clef)
f minor, melodisch up and
down (bass clef)
cis minor, harmonic (violin
clef)
2)
Write down the sharps
or flats at the clef or in front of the notes.
g
is the third tone of a major scale (bass clef)
f
sharp is the fifth tone of a minor harmonic scale (violin
clef)
a
flat is the sixth tone of a falling minor melodic scale (bass
clef)
3)
Name at each exercise below
the major and minor scale, in which the given tone
row can occur:
INTERVALS
4)
Write down the following
intervals.
a)
b)
c)
d)
major third ON
the give note.
diminished seventh
UNDER the given note.
minor sixth ON
the give note.
perfect fifth
UNDER the given note.
5)
Name the following
intervals.
a)
b)
6)
Write down the/a
consonant resolution of the given intervals.
a)
b)
c)
TRIADS
7)
Write down the
following triads.
a)
b)
c)
d)
major triad in
6/4 position ON the given note.
diminished triad
in 6-position UNDER the given note.
augmented triad
in root position ON the given note.
minor triad in
6/4-position UNDER the given note.
8)
Name the following
triads. Mention also their inversion.
a)
b)
c)
9)
In which keys
(major and minorr) van the following triads occur?
drieklanken voor? And on which degree? (Use
only harmonic minor in case of the degrees V and VII)
a)
b)
DOMINANT 7-CHORD
10)
Write down the
dominant seventh chord in the following inversions:
a)
b)
c)
11)
Write down the
dominant seventh chord in the following keys:
a)
b)
c)
6/5-position
in A major
4/3-position
in b minor
2-position in
D flat major
12)
Name the inversion
of the following dominant seventh chords en mention
the key in which they occur:
a)
b)
MELODIC ANALYSIS
13)
In the following
fragment there are no sharps and flats at the clefs, but only
in front of the notes.In which key is this fragment?
R. Strauss "Nichts"
14)
Which chord
is formed by the notes, indicated by the circle? In which
position?
R. Strauss "Die Nacht"
15)
Add the bar
sign in the following fragment:
RHYTHM
16)
Improve the noattion
of the rhythm so that it becomes immidiately clear
in which bar the fragment is (by grouping the notes):
17)
In the following
rhythm two notes have been left out. Add them:
CHORDS
18)
Name the following
chords. Mention also their inversion.
19)
Write down the
following degrees:
a)
b)
In b flatminor:
IV in 6-position
In E major:t:
III in6/4-position
20)
De augmented
triad c-e-g# can be enharmonised in two different ways;
in both enharmonisations it will stay an augmented triad,
but in a different inversion. Write down the 2 enharmonisations,
and mention the keys in which these chords can
occur:
